Today on the podcast, weâre talking podcasting.
Wait, weâre actually talking about the responsibilities of major tech platforms. Or are they content publishers? Broadcasters?
Or, is this really just a conversation about why Spotify is sweating bullets over Neil Youngâs agitation with the former host of Fear Factor?
“Has this podcast been fact-checked?”
Itâs all very confused. Iâll do my best to summarize whatâs going on quickly so we can get to the big questions.
If you havenât heard, several prominent musicians have taken their music off of Spotify in protest of what weâll broadly call COVID-19 vaccine misinformation on Joe Roganâs podcast, the Joe Rogan Experience. It just so happens to be the biggest podcast in the world, and what The New York Times is now reporting as something Spotify paid $200 million to have exclusive rights to. Since that kerfuffle, clips of old Rogan episodes showing him using racial slurs have surfaced.
Spotifyâs public response to date has been that classic Facebook line: hey, weâre just a platform, not a publisher. And Spotify CEO Daniel Ek has been reported to make multiple statements to that effect recently to employees: âweâre not in the business of dictating the discourse that these creators want to have on their shows,â and âcancelling voices is a slippery slope.â
And yet, at the same time, Spotify has quietly removed about 70 JRE episodes (at Roganâs directive), and has put a process in motion to add some sort of advisory label to content discussing COVID-19. All of which sounds a lot like something a publisher might do.
Thatâs a lot, and itâs prompted a lot of conversation from tech, media, and podcasting folks. My people.
Like on the Canadaland podcast, where journalist Sandy Garossino noted that we keep having discussions of what Big Tech does with 21st Century content using 20th Century terms: broadcaster, network, publisher. Maybe we need some new terms?
Itâs a great point, and the label issue is something we struggle with on this very episode as we try to unpack the responsibilities tech companies have for the content they surface (and profit from).
But thereâs another side to that equation: the responsibility of the content creators themselves, which is a big deal because âcontent creatorâ is only a term anyone would have started using in the last 10-15 years.
On this side, Iâll point you to something American tech journalist Kara Swisher recently said on the Pivot podcast, noting that while popular, Joe Rogan isnât a professional interviewer, and heâs failing to meet that the high bar of responsibility a journalist would at least aim for.
I think this take is very wrong.
Listen, the challenge created by the democratization of media is that podcast hosts are not held to the standards of print or broadcast media when publishing access was limited. You currently do not have to be a journalist to have obligations and responsibilities to your audience and the content you produce.
But hereâs the thing: Joe Rogan is a professional. He hosts the biggest podcast in the world, and got paid $200 million to do things like smoke weed with Elon Musk.
Saying you are âjust a comedian, or a guy asking questionsâ doesnât cut it anymore.
But what are the professional standards of content creators? More pointedly: what if Joe Rogan doesnât want to remove old episodes? What happens then?
To help us navigate these questions, weâve put forward our own expert panel, featuring: Josh OâKane – not only a technology reporter for the Globe and Mail, but the author of a book about Joel Plaskett, so you know weâve got the CanRock covered; and Katie Jensen – owner of podcast production company Vocal Fry Studios, and someone who has made dope pod content for the CBC, MLSE, G&M, Canadaland, and many others!
Itâs a power pod panel on the BetaKit Podcast! Letâs dig in.
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The BetaKit Podcast is hosted by Douglas Soltys & Rob Kenedi. Edited by Kattie Laur.
Sponsored by Float. Feature image courtesy Spotify.
